Missing bass octave in Debussy’s Prélude “Ce qu’a vu le vent d’ouest”?
Whether the Pope is infallible is anybody’s guess, but composers … Continue reading →
View ArticleDebussy: to finger or not to finger…? Why we are adding fingering in the...
In summer 1915 in the solitude of Pourville, the small … Continue reading →
View ArticleWhy facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading →
View Article“You can count on me” – Debussy’s arrangement of “Minstrels” for violin and...
Arrangements have on occasion already come up for discussion in … Continue reading →
View Article“At the Piano” – lends colour to the Henle catalogue!
Even the visual design is a little revolution for Henle: … Continue reading →
View ArticleDebussy in Urtext – Part 1: Henle Editions from an experienced duo
2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading →
View ArticleDebussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading →
View ArticleDebussy in Urtext – Part 3: Debussy’s recordings of his piano music
Editors of Urtext editions have added a new medium as … Continue reading →
View ArticleDebussy in Urtext – Part 4: Autograph corrections in chamber-music works
It goes without saying that the focus would be on … Continue reading →
View ArticleDebussy in Urtext – Part 5: Corrections in the galley proofs for the piano...
Needless to say, every editor of an Urtext edition wishes … Continue reading →
View ArticleDebussy in Urtext – Part 6: Interview with Pascal Rogé
In the final part of our little series we want … Continue reading →
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